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Yaazhan however tells her that though he can't be with his wife, he does not see anyone else in her place. Malarvizhi is happy at first, as she thinks Yaazhan reciprocates her love. He starts divorce proceedings, leaving Mouna heartbroken. Yaazhan is devastated and leaves telling Mouna that she gave up on him and doesn't deserve his love anymore.
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Mouna tells Yaazhan the truth about their scheme and that Malarvizhi's love was not real.
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Malarvizhi professes her love to Yaazhan he is confused and troubled. Mouna realizing she is losing her husband, schemes to separate them, setting Malarvizhi up to be discovered by Yaazhan. However, Malarvizhi begins to fall in love with Yaazhan, and although he is unaware, he blossoms with his newfound career as an RJ and with his friends. The close bond of Yaazhan and Malarvizhi angers Mouna, who wants her husband back, just as he was when they first met. However, Malar strikes a good rapport with him and the two hit it off. Mouna devises a scheme with Malarvizhi to make him fall in love with her so that she can use it as an excuse to get divorced. She decides to separate from him to live a life of her own and on her own terms. After two years of marital life, Mouna becomes annoyed by Yaazhan's overly affectionate and talkative nature. Even a Santosh Subramaniyam (despite being a Telugu remake) is still repeat worthy than say a "Seema Raja" or a "Varthapadatha Valibar Sangam.Yaazhan ( Dulquer Salmaan) and Mouna ( Aditi Rao Hydari) fall head over heels in love with each other and they get married soon after. Dear, Tamil filmmakers, you can still make feel-good family entertainers without resorting to bumbling comedians like Soori, Sathish, Rajendran and Yogi Babu adding reels and irritating us. The scope she didn't get in her previous Tamil film, HERO, she got the right opportunity and scope for performance and she SOARS. Enough has been said about Dulquer's efforts, he continues to deliver here, but the MVP is Kalyani Priyadarshan.
#PARINAYAM MOVIE DULQUER SALMAAN CAST SERIAL#
Then there's Shobana (what grace!), KPAC Lalitha (another stealer as the serial artiste and caretaker of Bipeesh and his brother). His speech in the climax is just outstanding. Suresh Gopi as the retired Major, Unnikrishnan shows that time hasn't been kind to him, but man when he delivers, he delivers. Her scenes are a scream and her scenes with Nikki (Kalyani) will likely leave you teary-eyed. There are many standout scenes, especially with Urvashi.
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The movie could have easily gone off track with the multiple tracks (Nikki-Teacher, Bipeesh-his brother-Akashavani, Unnikrishnan-Teacher, etc.) but everything here is inter-woven so well, you're invested in the proceedings. Even Bollywood has exhaustively shown films set in the gullys of Mumbai/Delhi/Punjab. The presentation shown here makes Chennai look like a million bucks. Tamil films these days (outside of Shankar and Gautham Menon) often show us a grungy feel, often depressing. Secondly, how does Kerala's cinema manage to impress us all with simplistic stories and presentation? Especially when they are filmed in Chennai, Tamil Nadu. Dulquer Salmaan (for backing this) and Director Anoop Sathyan for being the master craftsman. First off, kudos to the Malayalam superstars.